rury Lane's Last Case
(1933)
Ellery Queen
challenges you to solve these clues to death. A thin envelope--worth a
man's life. A shattered display case--whose stolen contents a thief
replaced with a strange manuscript. The murder symbol: 3HS wM-...the queer
cipher found to be an old mark of death. These are but a few of the
baffling signs Drury Lane follows down a path of deception and murder to
one of the most startling climaxes in mystery fiction! When Inspector Thumm was given a thousand
dollars to guard a letter, he thought that someone was playing a practical
joke. But when a masked stranger threatened his daughter, the inspector
knew he had been handed a case loaded with intrigue and death. |
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"A highly original
and fascinating story, full of exciting episodes, with a delightful love
affair and some excellent scholarship thrown in for good measure." --
Elizabeth C.
Moore,
The Philadelphia
Inquirer. "They should have left open a little lane for a comeback." -- W.C. Rogers, The Niagara Falls Gazette. |
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Above left to right: Both dust cover and hard cover for Viking Press, Grosset & Dunlap and Little, Brown & co. (Click on the covers to see the differences) * | |
Schenectady
Gazette, "The Literary Guide Post" by John Selby, September 26. 1933 "NEW YORK — Even more than plausibility, a mystery tale should have suavity; It Is meant to amuse, not instruct, and a slick surface is far to be preferred to verisimilitude. But when one may also have plausibility within reason and the pleasant concomitant of logic well developed, he is doubly lucky. Barnaby Ross, who continues to hide his face behind a mask even though there is no need therefore, has again done a mystery that conforms to the foregoing specifications, and perhaps betters them. This time the tale is called 'Drury Lane's Last Case,' and how ever charming the reader may have found that deaf old actor, he probably will feel relief that Drury is finished off while he still is interesting, and not left to drag through a long series of books, each progressively less interesting than its predecessor. This time, also, the mystery goes far back into history —back to Shakespeare, indeed. William himself is a figure, in the only way possible after this lapse of years; there also is a group of elderly Indiana school teachers in a motor bus, a mysterious gentleman, in a violently colored beard who is not at all who you think he is, and heaven only knows how many others of more or less portent in the story. It would be dastardly to betray much of the plot; the mysterious Mr. Ross has quite outdone himself, be it remarked, and has managed in particular to take his mystery outside the channel in which most others flow. There is a curious paper having to do with the reputation of one long-dead gentleman and the fate of another. The paper becomes tangled in the threads of a modern plot. People become tangled in the threads as well, and the result is in doubt up to the last part of the last chapter. And if someone says this all sounds very Barnaby Ross-like, all one can answer is that it is." |
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Reverting to a third-person narrative, possibly the most intriguing and gripping plotline of the series, full of surprise twists, reverses, and inexplicable events. Although a key clue is dropped rather unsubtly but nobody in the story picks up on it until long after the reader catches on. There are loose ends and unexplained developments here and there that never do get dealt with. And the "startling" identity of the murderer, in the back of the alert reader's mind from the first chapter, becomes less and less startling as the story proceeds. It's a tricky matter to the solution logically rather than through mere guesswork, and the logical clues are all there to be read. EQ's writing is here at a peak--the notion that characterization and emotion in his early work were shortchanged is neatly demolished by this tome. Great climax! | |
Above right: Mystery League - N°1 October 1933. | |
New York Evening Post,
"Post Mortem" by Norman Klein, 1933 "What a pity. Folks, you've got to write, telegraph or telephone Barnaby Ross and scold him. No more Lane, that noble old Shakespearean? Eh-hu. .. . At any rate, morbid ones, fill your bosom with heartbeats and let spasms quiver on the back of your neck while you read this, 'the tragedy of 1599.' Scene: Mostly around New York. Plot: zigzag. Suspense: Gloriously sustained. The crime: You see it as you read. A honey: Honey-haired Patience Thumm." |
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Other articles on this book (1) Reading Ellery Queen - Drury Lane's Last Case Jon Mathewson (Jan 2014) (2) A Battle of Bibliophiles Ho-Ling (Feb 2016) (3) The Tragedy of Zzzzzzz Brad Friedman (Oct 23. 2018) |
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