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Ellery Queen and The Mystery of the Hidden Name
Dale Andrews, my friend from across the Atlantic, is well
known to followers of this website. He has authored three Ellery
Queen pastiches (the first, "The Book Case", co-authored with yours
truly), contributed articles here in the
past and regularly writes articles for SleuthSayers, the mystery short story
writers' blog. Every once in a while Dale's SleuthSayers posts delve into
some of the mysteries underlying the Queen library. One of these articles,
which I worked with Dale in writing, is both a further discussion of the
theories of Rémi Schulz, already the subject of several articles here, and
the presentation of an alternative theory to one of Rémi's. For readers who
missed the article on SleuthSayers, it is set forth below in its entirety. Kurt Sercu |
As
I guess is evident, for most of
my life I have been an
Ellery Queen fan. I
read Queen as a kid, and I trace
my published mystery writing
back to the Ellery Queen
Centennial Symposium
that
EQMM hosted back in 2005. I
attended that symposium in New
York City, along with Kurt Sercu, the proprietor of the
preeminent Ellery Queen
website -- Ellery
Queen: A
Website on Deduction, and
we both left the symposium with
the inspiration that eventually
led to our Ellery Queen
pastiche The Book Case
(EQMM, May 2007). While that
weekend was the first time Kurt
and I had met in person, we had
already known each other for
years on-line.
Rémi Schulz has
devoted years, and much effort,
to the study of the Queen
mysteries, plumbing analytical
depths that most of us would
never even suspect existed. One
underlying thesis set forth in
Rémi’s website is that the
Ellery Queen
novels are replete with hidden
patterns that are premised on
recurring dichotomies. Thus,
Rémi argues, a series of later
Queen novels involve murderers
with the recurring initials M
and W, that switch back and
forth chronologically novel to
novel. M and W, Rémi points out,
are a short-hand for one of
life’s great dichotomies: men
and women. Similarly, there are
references to 1 and 2, and to
“A” and “B” that recur in Queen
mysteries. As an example, Rémi
focuses on the 1936 Queen
mystery Halfway House, and
points out that it involves two
families, Angell and Borden, and
secret relationships between
Andrea Borden and Bill Angell
(AB and BA). These are but
examples -- Rémi points out many
other hidden dichotomies in the
mysteries Ellery solves.
So what do these
“either or” patterns have to do
with the also recurring
references to the name
“Andrews?” Well, first of all,
Rémi’s view is that you can’t
view the references to that name
standing alone -- you have to
look at all of this in the
context of those other clues and
patterns. Rémi argues that the
term most commonly used for the
recurring literary dichotomy
device that he identifies as
prevalent in Queen mysteries
(A’s and B’s, 1’s and 2’s) is a
chiasm, a word that derives from
the Greek letter 'Chi', or 'X.'
An X, he points out, is also the
basic design of the Saint Andrew
cross -- a cross, in effect,
laid on its side. Thus, it is
argued that frequent use of
number and letter pairs, and
frequent use of the name
“Andrews,” are employed to show
that chiasms -- and underlying
dichotomies -- are a hidden
theme in the Ellery
Queen mysteries.
Dale C. Andrews (and Kurt Sercu)
The Return of... September 2016, one an a half year after publishing the article above, Dale C.Andrews went on a tour to Scotland... to find out there is more!
"We were touring the Clan
MacDonald museum on the Island
of Skye. Whatever Scottish
ancestors I had likely came from
this region so I was looking
through a booklet recounting the
history of my family clan and
something struck me that I
really should have thought of a
long time ago.
Links to related articles
|
|
Introduction |
Floor Plan | Q.B.I. |
List of Suspects | Whodunit?
| Q.E.D. | Kill as
directed | New |
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