First
part, 1965 :
In The
Fourth
Side
Of
The
Triangle
,
fashion designer Sheila
Grey
is murdered
(right).
She collected lovers,
and gave each one of her annual collections the anagram name of a lover.
Thus
the
name of her
first lover, Elisha,
provides
the title for the first collection Lady
Sheila;
then came Allen,
Hurt, Ronald, Claudel (!), Hamlet (!!),
each of
which
respectively gave
the ladies
Nella, Ruth, Lorna D., Dulcela, Thelma...
.
The son of a well-known family, Dane
is one of the first suspects,
soon followed by his father who is accused, judged and acquitted.
Next
up
is
his mother...
In the
end it's the discovery of the name of the final collection
that Sheila was
preparing, Lady
Edna,
which led to the arrest of the first suspect, Dane,
as the real
murderer...
.
Followers of Jung will
be reminded
of an aphorism by Maria
the Jewess:
"One
becomes two, two becomes three, and out of the third comes the one as the
fourth."
The Queenian may relate this curious affair of a lady
"feminizing"
her lovers to the original pseudonyms chosen by the young cousins,
being of good family,
not knowing the connotation of the word "queen" as
"gay",
in certain slang.
The two young men learned
the hard way after staying
in many hotels, on tour promoting their books, under their penname Queen.
But
by that time it was to late to change their pseudonym.
The word which was most widely used to depict homosexuals was "queer"
or "bizarre",
and I believe this
resemblance
between these argotic synonyms
"queen"
and
"queer"
inspired Dannay
to
title his 1952
short story "My
Queer
Dean!",
there
a tendency of a senior (dean)
to shift the sound of words leads to the accusation of Morgan
instead of Gorman
(the
English word
spoonerism, "a
voluntary slip of the tongue" derives from the name of a
Oxford dean,
Spooner).
If it was judicious to suggest that
Nathaniel
killing his cousins had anything to do with Dan-iel
Nathan,
the first name of Dannay,
it
should also be remembered that DANe
actually
gives us the missing letters.
This Dane kills
the one he loved, who only took him
as lover during the time
of the Lady
Edna
collection...
Second part, 1967 :
Face
to
Face,
which
actually translates perfectly into French, only in English the letters FACE
which make out the dying message left by a singer are also notes.
More precisely the notes
that
are found 'in-between' the regular notes on a
musical staff,
a clear invitation to go and read 'between the lines' of his
will in search for
a message written in invisible ink.
The
cover of the Italian edition reveals this enigma from the start,
hardly a fair enigma in countries where the do-re-mi system is widely used...
(right).
Gloria
indicates she fears being murdered by her husband,
but he
has an alibi.
The
investigators
then
question his mistresses, convinced
one of them took it upon herself to
deliver the fatal blow on his behalf.
The quaternary is
present
here not only with the mystery of the four letters FACE,
but also with the 4 parts of the novel itself,
as was the case with the previous novel.
The 4 parts of the
novel are:
profile, half face, three-quarter face
and face.
As
was the case with The Fourth Side of The Triangle
this is
a perfect illustration of
the passage
from 3
to 4.
Third part, 1970:
The Last Woman In His Life,
aka The Fourth Woman according to the Danish title.
Opulent John Benedict
holds a reunion
with his 3 ex-wives
only to announce he's to be remarried,
which consequently means
the
testamentary provisions,
which granted substantial revenues to
each of
them,
will be changed.
He is murdered before these modifications are made,
and before having revealed the newly
chosen one.
John
is prone to stammering,
and
especially when he's emotionally moved,
he is
unable
to pronounce the letter "r".
As
a result, when dying, with just enough strength left
to reach Ellery on the telephone,
this awful problem
precludes
him for naming the assassin's
identity.
His lawyer makes a
"coming out"
by announcing his love for John,
which he rejects
with so much dislike
that
the
lawyer goes
out of control. John
can barely utter one or a few syllables,
but somehow
must accuse Al
Aubrey Marsh.
This is a problem since
his three ex-wives are Alice, Audrey
and Marcia.
He could also say it was a lawyer
or even a single
man,
if it weren't for his new fiancée
who is named Laura Manzoni...
.
The solution he finds
sends
the investigators
in the wrong direction,
and they end up taking
a long
time
to
find "the fourth woman".
It's left to the more astute reader to
deduce
why John couldn't use a more common term "queer",
which he would have pronounced as "quee".
This
would have been susceptible
of confusion with Queen.
We
should also note
the fact that
certain editions claimed
this to be Ellery's queerest case...
.
Fourth part,
1971 :
A Fine and Private Place.
The multi-millionaire Nino Importuna
is marked by the number 9.
Born on the 9/9/(18)99,
he
lives on the ninth floor of his house number 99
in 99th
Street,
signs contracts the ninth of every month.
He
marries 21 years old Virginia
on the day of his 63th
birthday, 9/9/1962.
It is explicitly stated he
is
three times the age of
his
younger wife.
As with the singer in Face
to face,
in his new
will there is
a 5 years period during which the spouse cannot claim
an
inheritance,
and
yet again the testator
is murdered
just when
the 5 years have past (on
9/9
at 9:09).
Since Virginia
doesn't
seem to have been able to commit the murder herself, the investigation
focuses on finding her lover.
Above right: Frenzy of Nines. Detail from the Hamlyn edition shows a
September with a Wednesday 9. Which for the 1960 decade only leaves 1964 or
1970... (Editorial remark)
Three years have past between the publications of Face
to face
and The Last Woman in His Life.
I don't want to guess as to the reason why,
but I can only imagine
that Dannay
knew well, by conceiving
Face
to face,
that the next Queen would be a "real Queen",
which would make it well understood that the "faux Queen"
would no longer abuse readers of great discernment.
It seems to me that Dannay
had an
idea to
erase
these mistakes.
The Last Woman In His Life
starts where
Face
to face,
ends: in a café (anagram face)
of the airport where Inspector Queen and his son have accompanied a
departing
friend.
So anecdotical it seems,
this day is the day after
Palm Sunday,
...which would make this
the Monday of the Holy Week.
It isn't anecdotical that in The Last Woman In His Life,
no allusion is made to the Holy week.
The Queens
meet their friend John in that café
and he invites them to his house in the countryside.
It
is
on
the night
between
Saturday
to Sunday
that John III,
son of a carpenter,
is murdered
in the night of the resurrection (On
the third day "et resurrexit tertia die"...)
at
3h03
by three blows of a sculpture of 3 monkeys,
foreshadowing the assassination of Nino
the 9/9
at 9h09,
with 9
blows of a sculpture in the form of the number 9.
Thus has the Queenian quaternity the Monday of the Holy week as pivotical
moment.
On the
other hand the other two real "real Queens"
of the final period,
concern the murders connected to Nathaniel,
born Easter
Sunday 1924
and the Holy Week of
1944.
My final remark is that
the date
of the murder of John III,
March 29.
is but compatible with a plausible Easter Sunday in 1964
or 1970,
The first being more acceptable since
after
chronological reading of the 4 novels the first takes
place in 1963 and the last explicitly in 1967.
Incidentally,
the cousins seem to have reconciled not long before Lee's death in 1971,
and he surely would have taken up his role of co-author
for the two last titles of
1970
and
1971.
But
it is difficult to be sure of anything in this
relationship where
the lie ruled
for a long
time.
Dannay
just finished with the synopsis for a new novel when Lee died,
The
Tragedy of
Errors,
was left in that state after the death of his cousin.
Since then the text has been published, and at first sight it doesn't
seem linked to the themes of the six preceding "real Queens"".
After having
given the
current state
of my research
on the last
Queen period, of which
the
essence goes back nearly 10 years, here some remarks on the echoes
of my
recently
discovered "quaternitairies"
-
I have shown, in my first text on the blog on the Queen of 1964,
that
Double,
Double,
took place during the Holy Week of 1944,
specifically 4/4/44.
The Tuesday of the Holy Week,
an essential date in the life of Jung,
corresponds exactly
with 4/5's
of his life,
as
reached on 6/6/61.
I'm now more convinced that the Monday in the Holy Week plays a pivotical
part in the Queen Quaternity,
a Monday which,
in Face to Face
takes place explicitly in 1966,
on a date date
would have been 4/4/66 (read
part 2 where I explore discordances in the dates).
-
In my
second text on the blog I explained that the initials DEAN
seemed significant to me,
the
reader will now appreciate why.
-
Research into the Quintet(t) de Giroud
and Altman have
taken me
into letters written in fifths
or fourths,
but I can't remember at what point I'm indebted to Queen
for having revived my interest in that field, thanks to his wonderful play
on thirds FACE
-
I'll
attribute my intuition to 4/4/44
to the
earlier
immediate discovery of the body of Ruth Roman
on 9/9/99,
while having somewhat forgotten 9/9/99
of Nino Importuna
from the final part of the quaternity. RUTH ROMAN
also has an immediate echo with the first part,
where Lady RUTH
is the name of the collection
conceived by Sheila
after her adventure with HURT,
while Dane tried to reject the suspicions
that
had befallen on the driver RAMON,
by falsifying a document,
by which the new collection would be named Lady NORMA
(having
established Ramon's
innocence, Ellery
wondered if Sheila
hadn't known a Roman).
Above right: Detail from Dutch hardcover depicting the Lady Norma collection
in Fourth Side of TheTriangle.
Whilst
plunging into these Queen
works I
found a great
confirmation
of the finesse
of this quaternity,
where the four assassins have the initials MWMW,
which corresponds with
the evidence of
Man-Woman,
but that's something I'll explore in the following piece.
continued
here
...
based on "Queentessence"
&
©
Original
text
2008 Rémi
Schulz
translation
©
Dale C.Andrews -
Kurt
Sercu
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