Dana Scott James Hutton was born on May 31. 1934 in Binghamton, New York as the son of Helen and Col. Thomas R. Hutton, an editor and managing editor of the Binghamton Press.

His parents divorced while he was an infant. Jim recalled seeing his father only twice before his death, and moved to Albany, New York, in 1938.

Hutton was expelled from five high schools and a boarding school due to behavior problems but had excellent grades and test scores. He earned money for school by digging ditches on weekends and delivering bananas at night. After starting his school newspaper's sports column, he earned a scholarship in journalism from Syracuse University. There he lost his position in the school of journalism (& scholarship) when after playing the part of Pontius Pilatus in a school theatre production he was bitten by the acting bug. He subsequently lost academic ambition and failed three classes as a freshman.

He used his summers to train in summer stock at Ivoryton, Conn. "I paid them $12,50 a week to let me sweep out the theater" he said. "In return I got to play roles with such greats as Charles Coburn. And once I got a whiff of that greasepaint I knew it was for me."

His intentions to continue academic pursuits soon came to an end. In college he stole Syracuse's bulldozer and plowed the blue tulip bed in front of the library (while drunk) the night before the moving up ceremony where he was one of the honorees as class vice-president and was immediately expelled, although argued that his co-conspirator was let off because he was captain of the football team. At Niagara College he claimed to have drained a pond as a prank and was expelled once again for dropping his pants during an awards dinner on a $12 bet, where he was being honored by the faculty as president of the Drama Society.

He went on to pursue his career as an actor in Greenwich Village where he lived for almost a year, but when out of money and unable to pay his rent or buy food he joined the United States Army  (1955). He was nearly demoted in rank for putting alum powder in his commanding officer's bowl of stew, among other pranks he pulled while in the military, almost all on higher-ups. He starred in over 40 Army training films before going to Berlin to serve in special service.

Hutton personally founded the American Community Theater by spearheading the renovation of theaters abandoned during World War II. He established the first English-speaking theater in Berlin with the GI production of the play Harvey (which he starred in). Receiving high praise from officers including official commendation, his superior officer agreed to assign Hutton to manage the theater as part of his official duties and he produced, directed, and acted in five productions over two years, receiving the European Theater Award for Best GI Theater. He played the lead in an TV episode of The Big Attack - Combat Heroes of WWII, called "Big Slim" (aired Jan 1. 1956).

But it was one of his earlier productions, The Caine Mutiny (1954), received the attention of director Douglas Sirk who promptly cast him in A Time to Love and A Time to Die (Universal, Jun 24. 1958). Using his entire military leave to film for 22 days, Universal was so impressed they offered him a contract, but he still had 18 months of service. "Maryline had been a lighting director for the off-Broadway theater, but by mutual consent it was decided there would be only one career in the family." Within five days of his military discharge, he had married and moved to Hollywood to pursue a career, but by then the offer was off the table from Universal. He eventually landed at MGM. In September 1959 his first daughter Heidi was born.

On TV he starred in The Twilight Zone episode "And When the Sky Was Opened" (CBS,  Dec 11. 1959) Three astronauts have returned from the first space flight. Jim plays Major William Gart, hospitalized with a broken leg, contacted by Colonel Clegg Forbes (an excellent Rod Taylor) which seems the only one to remember the existence of Colonel Ed Harrington.

Film roles dried up and he was relegated to TV work, which coincided with what he called an eight year depression. He did marry Lynni M. Solomon on March 30. 1970, and although they had a daughter Rebecca in 1971 the marriage would last only three years ending in divorce. "Much of my career downfall was my own fault," he admitted. "And it took two failures at marriage to convince me that I'm a bachelor. I like living with a woman - but it's a mistake for me to marry."

When finally, in the mid-1970s, he snagged the television role for which his screen persona worked quite well: Ellery Queen.  Once he got it, he directed all his energies toward making his characterization exceptional. Hutton refused to view the films of Lee Bowman, George Nader, or Ralph Bellamy as "Ellery Queen" - not wishing to be influenced by their performances. Hutton spent two days at Los Angeles' main library researching the famous fictional detective and the two men who created him. These studies left him convinced that "Ellery Queen," as written, was a patronizing know-it-all, completely without personal warmth or a sense of humor. "That's when I decided to change the character around and make him more human. To do that, I added dimensions not in the books." Without them, Hutton believed he would lose the audience before the first commercial.
"Sure, there will be some 'Ellery Queen' purists who won't like our show because of those liberties," Hutton conceded, "but that can't be helped." "As a matter of fact," Jim added, "it might have been such a 'purist' among the network decision-makers who caused the three-week delay between the announcement that our show was on and the announcement that I would be the star. That three weeks were enough to have driven the 'old' me off into the blue funk," Jim smiled, referring to the 'old' drinking, emotional Hutton.

Surely this became the 'definite' Ellery Queen due to his likable impersonation in the NBC-TV series. The actor was charming and convincing as the self-effacing, deceptively preoccupied criminologist, especially when he turned to the camera 45 minutes into each Ellery Queen episode and invited the folks at home to help him solve the mystery.

According to producer William Link, Ellery Queen was created with Hutton in mind after NBC saw his performance in the TV movie They Call It Murder (NBC, Dec 17. 1971). Link described him as the most dedicated actor he'd ever worked with. He recalled that Hutton literally moved into his dressing room during the 7-month production, 7 days a week. He did this in order to study his script in the morning and night and avoid all distractions at the home of women and alcohol. But the crew noticed he drank heavily after production wrapped Friday throughout Saturday.

This success coincided with an upturn of theater work and reunion with Timothy Hutton (15). Father and son had gotten reacquainted in the summer of 1975, when, at Jim’s suggestion, Timothy spent the summer in his dad’s Laurel Canyon home while Jim was shooting a TV series. “Then he asked me, ‘Do you want to come down to Los Angeles and stay with me?'” Tim says, “The idea of actually living together hadn’t crossed my mind, but when he suggested it and we talked about it, the pieces all fit. The timing was perfect. When I suggested it to my mother, she thought it was a wonderful idea as well.” ⁽³⁾

One of Hutton's memorable television appearances was appearing as a guest star in the 1977 - 1978 third season premiere of the Norman Lear sitcom One Day At A Time. The episode, entitled "The Older Man" (CBS, Sep 27. - Oct 18. 1977), was a four-part story arc in which Hutton portrayed Dr. Paul Curran, a forty-two year old veterinarian who falls in love with seventeen-year old Julie Cooper (played by Mackenzie Phillips). His last television role was in an unsold pilot called Butterflies based on the BBC2 sitcom. It was broadcast on NBC on August 1. 1979 two months weeks after Hutton had died. ⁽²⁾

According to Tim, his father loved his profession, and that love was his legacy to his son. Father and son also shared passions for horse racing, poker, jazz, and tennis. The day after one of their tennis games, Jim Hutton visited his doctor for respiratory trouble and back pain, he was diagnosed with liver cancer, which had spread to his lungs. 
“He called me one day — I was living on my own in Westwood by then,” Timothy Hutton says. “And he said, ‘Hut’ — he always called me Hut — ‘are you sitting down?’ And he said. ‘I’ve got six months to a year to live'”. ⁽³⁾

Yvette and Jim Hutton’s somewhat erratic union was once again challenged by the tragic news that he had terminal lung cancer. “What made it even worse is that he had found out about it during one of the times when we had drifted apart. He finally called me from the hospital. Jimmy was talking about wanting us to be together again in Malibu, walking on the beach at dusk and watching the sun go down into the ocean. He was later released, and we did get to do it, but then Jimmy’s health took a turn for the worse and he had to go back into the hospital." 

Hoping to prolong his life with chemotherapy, he died 8 weeks after first checking into the hospital and only 4 weeks after his condition was made public. "The biggest shock was that he was dying so quickly,"
June 2. 1979 Jim Hutton passed away in Los Angeles, California at the age of forty-five -- just short of the start of his son Timothy's career (with an Oscar for Ordinary People). Milton Berle did his eulogy. Timothy dedicated his 1980 Academy Award, to his father: "...I'd like to thank my father. I wish he was here."

Timothy Hutton wore Jim Hutton's hat from Ellery Queen (1975 - 1976) in both Ordinary People (Paramount, Sep 19. 1980), A Nero Wolfe Mystery (AE Networks, 2000 - 2001) and in the Leverage TV series in the episode "The 10 Li'l Grifters Job" (TNT, Jul 7. 2011) where a Murder Mystery Masquerade offered the opportunity for a tribute (left). Youngest daughter Rebecca 'Punch' Hutton, from his second marriage, named her daughter Ellery. 

“Friends” is always the word Tim uses to describe his relationship with his father, and it is a word he insists not be taken lightly.
“My dad placed higher importance on us being friends than anything else,” Tim says. “I don’t think he ever said to me, ‘When I was your age…’ There was none of that. We were friends on an equal level. There was a tremendous amount of respect for each other. With other kids it would be, ‘Oh your dad’s out of town, let’s have a party.’ With me, my dad would be at the party.” ⁽³⁾

Other references
(1) IMDb
(2) Wikipedia
(3) "Timothy Hutton is too good to be true", Rolling Stone (Feb 4. 1982)
     Roger Director
(4) Jim Hutton: Ellery Queen and much more Scott Rollins blog
(5) Jim Hutton views Ellery Queen Jean Lewis (Aug 17. 1975)

Additional video & audio sources
(1) The Horizontal Lieutenant (Film Clip, 1962)
(2) Period of Adjustment (Film Clip, 1962)
(3) Major Dundee (Film Clip, 1965)
(4) The Adventure of the Blunt Instrument (Ellery Queen episode, 1975)
(5) The Big Attack - Combat Heroes of WWII, episode “Big Slim” (Jan 1. 1956)
     YouTube