rury Lane's first appearance managed to evade the pitfall
many introductory novels fall in. They all manage to point out the characters and surroundings of the stories that will follow, but in doing so somewhat neglect the storyline itself. It is here, as with the early Queen books, that their strong point surfaces... the plotline is always paramount. 

Drury Lane was born in New Orleans, LA, November 3. 1871 as son of Richard Lane, an American tragedian and Kitty Purchell an English music-hall comedienne. Born prematurely in the back of a second-rate stock theater "The Comus" when his father Richard was travelling the world and his mother Kitty forced to work to earn a living. She died while giving birth. Raised by his father he travelled from stage to stage it came as no surprise he performed on stage at the early age of seven and had his first role of importance at the age of 10 in Kiralfy's Enchantment (Boston Theatre). In 1887 his father died of pleuritis giving his sixteen year old son one last piece of advice: "Be an actor!"
At 23 he performed for the first time at Daly's Theatre, NY in Hamlet, a role he played many times over in 1909 in the Drury Lane Theatre in London. Playing 24 times more than the record held by Edwin Booth. Writer of Shakespeariana, The Philosophy of Hamlet, Curtain Calls, ... . Member of different Clubs: Players, Lambs, Century, Franklin Inn en Coffee House. Member of the American Academy of Arts and Letters. Honorary member of the French Legion of Honour. Retired from acting in 1928 due to increasing deafness in both ears. Drury lives in "The Hamlet", overseeing the Hudson River, N.Y. (station Lanecliff, Westchester County).

"The Hamlet" is a castle, surrounded with a miniature village full of  people who wear Elizabethan dress and answer to Shakespearean names - and living on Lane's bounty. Every house a copy of an Elizabethan house with thatched roofs,... perfect gardens included. Everything was old and smelled of England, the England of Elisabeth. His residence is described as if it were the mansion in Citizen Kane. Somewhat smaller in size but certainly not less imposing. Still unsatisfied with having recreated Shakespeare's physical world and incapable of creating dramatic world like the master, Lane intervenes in the dramas real life offers and in a sense rewrites them. "From obeying the jerk of the master's strings, I now have the impulse to pull the strings myself, in a greater authorship than created drama". His "raison d'être" being power, to overwhelm audiences with his performances. The power to control, control the life of his servants down to their names and to change the outcome of his life-and-dead drama's by his presence. In short he wants to be more powerful than Shakespeare himself.

By the end of the series Drury Lane is dead, which would seem to indicate unequivocally that Dannay and Lee intended to end the series. In fact however, the cousins had planned to resurrect him for more cases, but they came embroiled in a dispute with Viking, the firm that was publishing the Lane series. By the time they had completed the fourth Drury Lane novel Dannay and Lee were about to launch their new ambitious new monthly magazine Mystery League. One of the stories they chose for their first issue (Oct 1933, right), without realizing the contractual consequences of their decision, was their own recently finished Drury Lane's Last Case, which thus became available, complete and unabridged to any reader with a quarter to plunk down on his favorite newsstand. The people at Viking grew understandably angry at this unauthorized but unintended competition with the $2.00 hardcover edition which they were about to publish. The cousins were forced to accept some extremely unfavorable revisions in the royalty clauses of their contract with Viking, and the acrimonious dispute convinced them that as long as Drury Lane was already dead he might just as well be kept in his grave.

(Francis. M.Nevins "Investigating Drury Lane" Old-Time Detection Issue 16, Autumn 2007)